Peter MacDonald is a Syracuse, NY-based singer/songwriter who experiments with rock, electronic, folk and soul. Violin may have been the first instrument he learned to play, but it’s the guitar that remains his favorite and is his weapon of choice for this release. MacDonald’s debut EP, Nothing, focuses on his personal “life observations and mental health struggles,” the latter of which probably owes to him being a mental health nurse during the day. Recording, mixing and mastering was all done at Electric Wilburland Studios in Ithaca, NY. The production is very well done and is also quite varied as there are a number of different styles that run through these songs.
The opening track, “Punching Bag,” showcases a guitar tone reminiscent of the ’70s, accompanied by an imposing riff. With a self-deprecating approach, MacDonald delivers lyrics like “Won’t you punch on me / Yeah yeah yeah” before the song’s gradual fade-out. The composition bears a striking resemblance to the sound of Cheap Trick, evoking a nostalgic vibe. On the other hand, “Far From Perfect” takes a more electronic direction, incorporating dazzling synth elements. However, it still maintains the presence of live drums, avoiding the use of drum machines. MacDonald explores his deeper vocal register, harmonizing with the polyrhythmic blend of drums and guitar that gradually builds throughout the captivating four-minute track. The result is an exceptional sonic experience.
While the lyrical meaning of “Trap Star” remains ambiguous, its musical style aligns closely with “Punching Bag.” The combination of chiming guitars and a bouncy bass creates a cohesive sound. However, the standout element of the song is the rumbling drum groove, adding a captivating rhythm to the song which constantly grabbed my attention.
Moving on to track four, “Here I Am,” wholesome acoustic chords enter the mix. MacDonald’s velvety-smooth vocals shine brightly, becoming a major highlight that enhances the overall allure of the song. There was something very moving about this song that was in the performance.
Concluding the album, “I Want to Get Out” showcases MacDonald’s soulful side as he yearns for liberation with tones and textures that are warm and inviting. The vocals in this track exhibit a touch of reverb and are deliberately mixed louder than the accompanying instruments, emphasizing their emotional impact of the song. Around the three-minute mark, the drumbeat undergoes a transformation, adopting a pop rock sensibility before gradually fading away. As expected, the lyrics offer a therapeutic experience, delivering ample catharsis to listeners seeking solace and release. I felt like putting the song last was definitely a good call.
Nothing serves as an impressive debut from Peter MacDonald, blending influences from Cheap Trick, James, and Depeche Mode into each of its five standout tracks. MacDonald creates a unique sound that is hard to put your finger on which speaks to his originality. With a soothing indie sound, this album comes highly recommended, offering a captivating experience that is sure to resonate with music lovers seeking solace and comfort. Give it a chance and be swept away by its stellar craftsmanship.
Garth Thomas