HebbaJebba’s sophomore album, Number 2, builds on the groundwork laid by their 2021 self-titled debut, offering a collection of tracks that are as entertaining as they are emotionally resonant. While their first effort leaned heavily on the raw energy and playful humor of their pop-punk and dad rock roots, this new release reveals a band that has matured musically and thematically, without losing their knack for fun.
The album begins with “Rock and Roll Band,” a rollicking, self-aware opener that perfectly encapsulates the joy and complexity of being a fan. The track is layered with humor and a touch of cynicism, exploring the idolization of rock bands through the lens of HebbaJebba’s signature wit. It’s an immediate crowd-pleaser and sets the stage for an album that balances introspection with celebration.
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“Swagger” takes things in a slightly mellower direction, channeling ’90s alt-rock influences with a polished guitar solo that showcases Mark Ganje’s finesse. It’s the kind of track that feels deceptively simple at first but grows in depth with each listen. From there, the album dives into “(PF),” a standout piece that encapsulates HebbaJebba’s evolution. Starting with gentle, gorgeous guitar tones, the track swells into a triumphant explosion of instrumental magic. The lyrics—“I’m not a prisoner in this zoo, I’m not the animal you thought you knew; neither are you”—capture a sense of self-liberation that resonates beyond the music.
The middle of the album delves into themes of struggle and resilience. “Down to the Wire” grooves with a riff-driven energy that reflects the feeling of racing against time, while “It’s Fine” slows things down to explore emotional endurance. The track’s harmonies shine as the band collectively sings, “I’m fine, it’s fine, it’s fine, we’re all fine.” It’s a moment of quiet introspection that underscores HebbaJebba’s ability to weave deeper themes into their typically lighthearted style.
“I’m a Weed” brings a sharp change in tone with its spiteful energy and relentless drive. Drawing from ’90s alt-rock greats like Counting Crows, the song captures the bitterness of a breakup, using its fast-paced rhythm and biting lyrics to deliver a cathartic release. Similarly, “What Do You Want Me to Say?” explores themes of self-identity and expectation with a country-rock flair. The chugging drums and dynamic riffs give the song a powerful kick, while a rhythmic shift in the chorus adds a surprising twist.
The album’s latter half showcases some of HebbaJebba’s most ambitious work. “Wings of a Dove” is a Midwestern emo-inspired gem, with shimmering guitar tones reminiscent of Modest Mouse or early Smashing Pumpkins. It’s one of the album’s most heartfelt moments, balancing nostalgia with forward momentum. “I’m Tired” keeps the emotional intensity alive, addressing the exhaustion of navigating a fading relationship. With its honest lyrics and rock-driven sound, the track feels like a plea for clarity amidst confusion.
The closing track, “Change My Heart,” is a seven-and-a-half-minute epic that encapsulates the album’s growth. Beginning with ambient traffic sounds and a delicate acoustic melody, the song gradually layers in each band member’s contributions, creating a restrained yet expansive soundscape. The ambient fade-out into birdsong feels like a gentle goodbye, leaving listeners with a sense of peace.
While HebbaJebba’s 2021 debut showcased a band testing the waters, Number 2 sees them diving in with confidence and precision. The playful humor and infectious energy of their earlier work are still present, but they’re now paired with more thoughtful songwriting and a willingness to explore new textures and themes. Each member of the band shines—Paul Gordhamer’s drumming provides a steady backbone, Tom Carlon’s bass grooves are tight and melodic, and Brendan Ober’s contributions add depth and creativity. Meanwhile, Ted Hajnasiewicz’s vocals anchor the album, delivering both power and vulnerability.
Number 2 is a triumphant step forward for HebbaJebba. It’s an album that invites listeners to laugh, cry, and rock out in equal measure, proving that this band isn’t just having fun—they’re building something lasting. If this release is any indication, HebbaJebba is poised for even greater heights in the future.
Garth Thomas