Goblin Girlz represents Clash Bowley’s latest foray into the musical realm, and from the outset, the album unapologetically embraces its title, as evident in the distinctive imagery adorning its cover art. The album’s concept is a striking departure from the norm, presenting a truly unique theme that immediately piqued my curiosity and set the stage for an unconventional auditory experience.
The opening track, “Hey, Goblin Girl,” seamlessly blends blues and psychedelic elements, featuring a growling bass and a guitar with an intriguing filter effect. The vocal variation across the song adds an extra layer of fascination, showcasing Clash Bowley’s versatility as a musician.
The subsequent track, “Bittersweet,” weaves a tapestry of ambient sounds that ebb and flow, creating a captivating sonic experience, especially when listened to through headphones. Bowley’s vocals, adopting a lower register, provide an interesting contrast against a backdrop that feels simultaneously distant and engaging.
In “Goblin Market (feat. Fritz Herold),” a similar ambient atmosphere prevails. While unconfirmed, an instrument in the song seems to evoke the essence of an accordion, albeit one from an extraterrestrial realm.
The title track, “Goblin Girlz,” strikes a whimsical chord with its overly exaggerated elements, and the vocals carry an otherworldly quality, prompting contemplation on whether Bowley might be singing in the language of goblins. You really have to just hear this song to get an idea of what I’m saying. I can imagine the frame of mind he had to adapt to sing like this. Truly one of kind and have to admit that there was something comical about it.
BANDCAMP: https://clashbowley.bandcamp.com/album/goblin-girlz
“Goblin Flu” unfolds as another audacious piece, its elements reaching far and wide, while Bowley’s delivery feels like a declaration echoing from the summit of a mountain. While both “Little Monster” and “No Sugar Just Spice” hit the mark in terms of their musical prowess, it is “Lullaby for a Goblin” that stands out, exuding a serene and soothing vibe reminiscent of the comforting nature of a lullaby.
This album undeniably stands in a league of its own in a number of different ways. It defies easy categorization, and I find myself hard-pressed to recall anything quite like it.
Clash Bowley’s ability to meld genres and experiment with sonic textures showcases a level of innovation that is both refreshing and commendable. The album serves as a testament to his artistic audacity and a willingness to explore uncharted musical territories. As the tracks unfold, the listener is taken on a journey through a soundscape that is as enigmatic as it is entrancing, solidifying Goblin Girlz as an inventive if also a little unusual musical experience.
I also noticed that Bowley has a crazy amount of other releases. It seems like he was releasing about an album a month for some time. I decided to take a listen and will say that his other albums seem to have a similar sound. Although I didn’t take a deep dive I’m inclined to think you like this release you might want to check out what else he has on offer.
Garth Thomas