Suncastles, an eight-track creation by Jacob Donham, elicits a genre puzzle upon the first encounter. Although initially leaning towards a folk classification, the album swiftly reveals layers beyond such expectations. Notably, the inclusion of pads, horns and some other welcome surprises, an uncommon feature in folk music, which adds complexity to the sonic palette. The album isn’t predictable and that’s always something I appreciate when listening to a new album.
“Katydid Radio” is an absolute riot, delivering a rollicking good time. It might not fit neatly into the pure bluegrass category, but it shares a slew of its delightful qualities. This tune had me itching to dance, wrapping me in its infectious rhythms and spirited vibe. Its fusion of styles creates an irresistible blend that’s hard to resist. There’s also this very slight strain of darkness which works to the songs advantage.
The infusion of synths in “Cowboys” gives the track an intriguing sci-fi edge. Among the bleeps, bloops, and ethereal pads, it creates a distinctive sonic landscape. While it’s unclear how significantly it enhanced the overall piece, the futuristic elements undeniably added a novel and unique dimension to the song. The synthesis of these sounds introduces an otherworldly flair, contributing an experimental twist that intrigues the listener’s ears.
Certain tracks like “Before” and “Gold Backpack” carry a tongue-in-cheek vibe. While they might not stand out as the most powerful pieces in the album, there’s a playful air about them. These songs exhibit a certain lightness that suggests Donham doesn’t approach his music with unwavering seriousness, a quality I personally appreciate. This playfulness adds a charming dimension to the artist’s work, showcasing a willingness to experiment and have fun with his craft.
Among the album’s highlights, “Sand Castles” shines with Penny Lane-style horns, providing a delightful auditory experience. Donham’s vocal delivery carries a declarative tone, diverging from conventional folk norms. Far from a conventional folk piece, the track surprises with a spirited breakdown, infusing a welcomed positivity. The theme of choosing sun-soaked leisure over toil on a beautiful day adds a contrasting charm.
“Bigfoot” charms with its effective minimalism, focusing on the mythical creature. The banjo’s presence adds a quaint touch, accompanied by genuinely humorous lines. However, the album’s zenith may well be “Right On Time,” where Donham’s skills peak. Featuring a reverential vocal delivery and beautifully crafted melodies, this poignant and reflective piece stands out as a testament to Donham’s artistry.
The album culminates with the near-perfect finale, “Loons,” a track that, in certain sonic aspects, mirrors the brilliance of The Walkmen—one of the planet’s foremost bands. It’s definitely not easy to put this album in one specific genre. I thought it did something better which was to create a sound that’s original and clearly specific to the artist. In my opinion I think most artist want to feel singular
While not every track attains perfection, Donham consistently showcases commendable songwriting skills throughout the album. For those appreciative of diverse musical expressions and solid song craft, Suncastles beckons for.
Garth Thomas